My Film Resumé
My film work explores character, intimacy, and structure through image. I am drawn to collaborative processes that value emotional honesty, intention, and care in both story and craft.
My Acting Resumé
My performance work centers on presence and connection. I am interested in character-driven storytelling and collaborative processes that allow honesty, vulnerability, and care to guide the work.
Costume Designs- 25th Annual Putnam County Spelling Bee
My costume design work supports character, world, and narrative. I am interested in collaborative processes that prioritize care, clarity, and emotional honesty through design.
This costume design for Marcy Park emphasizes her pursuit of perfection and her internalized pressure to be approved. Elements drawn from Catholic visual language, including a gold rosary and purity ring, reflect moral rigidity and discipline. A structured plaid skirt and blue cardigan reference a private-school environment, reinforcing Marcy’s controlled, high-achieving demeanor. Her hair is styled in a high, tight ballet bun to visually unify discipline, precision, and restraint.
Barfée’s costume design highlights his awkwardness and social isolation through understated, mismatched elements. The muted color palette and practical silhouette suggest a character who prioritizes function over appearance. His pleated shorts, knee-high socks, and tap shoes quietly nod to his unconventional talent, while reinforcing his physical discomfort and lack of self-awareness. The overall design keeps Barfée visually unremarkable, allowing his intelligence and eccentricity to emerge through performance rather than presentation.
Coneybear’s costume design highlights imagination as a response to neglect. Worn, mismatched clothing grounds the character in realism, while colorful patches and distressed textures suggest endurance rather than carelessness. The addition of an oversized, tattered cape introduces fantasy, symbolizing Coneybear’s reliance on imagination for comfort and self-expression. Playful accessories emphasize his innocence, allowing the costume to balance comedy with vulnerability.
Makeup And Hair Designs- A Midsummer Night's Dream
My makeup and hair work focuses on character, texture, and detail. I am drawn to collaborative processes that prioritize intention, emotional honesty, and care in design.
Nick Bottom’s makeup design leans into innocence rather than intelligence. Soft brown shading and “doe-like” freckles visually signal naivety, reinforcing Bottom’s pure-hearted foolishness. Thickened brows, textured scruff, and donkey ears heighten expression and comedy while keeping the transformation warm and approachable. The design treats Bottom’s stupidity as sincere rather than mocking, allowing the humor to come from his confidence and openness rather than cruelty.
Oberon’s makeup design emphasizes authority, restraint, and supernatural control. Clean lines, structured brows, and a muted, balanced palette reflect his role as a ruler who maintains composure even when driven by jealousy and desire. The overall design avoids excess, allowing power to read through precision rather than scale. Subtle purple accents—used in the eyeshadow and jeweled headpiece—reference magic, royalty, and emotional undercurrent without overpowering the face. Light contouring and controlled highlights define the bone structure, reinforcing Oberon’s dominance and stillness. The design positions Oberon as both regal and otherworldly, grounded in control while quietly charged with intention.
Puck’s makeup design highlights chaos and transformation through playful exaggeration and texture. Glittered highlights, green eye accents, and prosthetic elements create a face that feels constantly in flux. The design avoids symmetry and restraint, allowing Puck to appear mischievous, untethered, and delightfully unpredictable.
Fight or Flight
Fight or Flight is a one-act play with two alternate endings that follows the story of two trans men who find and lose love for one another.
The characters, Augustus Cessar and Niro Claudius, draw inspiration from three Roman emperors—Nero Claudian, Augustus (Octavian), and Julius Caesar—reflecting my academic background. As an undergraduate, I studied abroad in Pompeii and examined the intimate lives of Roman emperors. Those experiences shaped the subtle historical references embedded throughout the play.
This project was born from collaboration with trans creatives in the theatre field. Rather than creating another narrative about “becoming trans,” our writing room focused on telling a story about love, loss, and survival within the queer community. Fight or Flight examines the heartbreak that can occur between two people who love each other deeply while also confronting the need to escape cycles of abuse.
Central to the story is the role of the court system—an institution many trans people experience as hostile or biased. The play presents a stylized, philosophical courtroom in which both parties are transgender. This approach enables us to explore themes of justice, accountability, and power within a queer framework, without replicating the trauma of real-life legal battles.
By supporting this project, you are helping bring to life a story that expands representation for trans people on stage, not as symbols of transition, but as full, complex characters navigating love, pain, and survival. This play invites audiences—queer and non-queer alike—to witness the intimate realities of trans love and consider how systems of power impact us all.
Contact
Phone- 832. 813. 2019 Email- alexgrey0604@gmail.com